Ankara: The Rebirth.
The Ankara fabric, formerly referred to as Dutch Wax from Holland, only became known as “Ankara” when the Turks started making a cheaper version. Interestingly enough, Nigeria, being such a vast and insatiable market, encouraged the birth of entrepreneurial fabric magnates. Back in the very early 60s, Mrs. H.I.D. Awolowo was among the very first to import and sell lace fabrics; the Okunowo Brothers were the primary importers of damask in the late 50s and early 60s; and PZ, UAC and Zabadne and Co. were also the primary importers of Dutch Wax and later Ankara in the 70s.
Because of the popularity of the light-weight and colorful nature of the Dutch Wax/Ankara fabric, local Nigerian manufacturers decided to have a go at it. Due to the competition of the various companies that brought it in, the sheer volume of consumption particularly along the West African coast forced the local production to accelerate. But alas, unfair trading and smuggling by individuals as well as companies forced the suffocation of local production.
Ankara was the western rival to the ‘adire’ cloth but because the dye was faster and did not stain as much, the locals abandoned their own fabric in favor of the more colorful version from Europe.
It appears Nigeria, and many parts of fashion-savvy Africa, have taken over other people’s inventions (fabrics), improved on them and re-presented them to the world. The world gives us these things and we then put a glamorous spin on it and voila! Think Jewel By Lisa, and what she’s done with Ankara.
My view on all this is that Nigerian fashion is not so much about being authentically Nigerian as about improving on other people’s ideas and infusing an element of something unique, colorful and sometimes seemingly outrageous, and thereby transforming it into something PROUDLY AFRICAN. So who’s the inventor of our fashion – colonial curtain owner or floppy gele woman? You decide.
Those that made it happen – the designers!!!
Wow!!! Now that was enlightening. But since we still can’t point at what exactly makes us love the Ankara so much, I and my best friend/pet Deen have interviewed a couple of “fashion icons” and they had this to say:
There are different styles you can do with the Ankara, so anytime a lady sees a design that she feels only a silk material can survive that design, it shows elegant creativity” - Menax Chidozie, Dallas, TX
‘Ankara’ – renaissance of the rejected stone!!!
It was the fabric that the poor embraced while the rich bought clothes off the hanger in shops. It was also the dresses made with Ankara and its related sister like ‘adire’ that people wore to lowly parties. It was also the fabric reserved for cultural festivities that did not come near a red carpet event. It was the fabric that people felt were too flowery, too busy and sometimes too colorful. It was the fabric that ran when washed and didn’t look anything glamorous. If anything, it was the fabric that was not only indigenous but considered local to be taken serious.That was a couple of years ago. All that has changed as our designers through a dint of hard work and persistence in spite of rejection put Ankara on Nigeria catwalk. Today, like the biblical rejected stone, the Ankara has become the cornerstone of fashion. The bright colors which was once a reason for rejection is now our strong point. Today, Africans are identified with brightness, vivacity, fun and life and these bright colors attest to that.With Ankara, there is no end to its possibilities. Ankara today, not only graces catwalks across the continent but also many red carpets. Some designers love it to the point of creating under wears from Ankara, and why not?With all this information, we can only realize that there are way too many reasons why we love the ‘Ankara Fabric’. But seriously, why do you?
The year 2009 has seen the Ankara reach some of it’s greatest, showcasing at Vlisco Urban Beat, The African Collective in New York Fashion Week & even British Vogue Magazine getting in on the trend.Check back soon, for images of these events.
- Adegoke ‘Zoe’ Olubusi.

March 21st, 2009 at 10:39 pm
It is great to see the designs being created with the Ankara fabric…..
March 23rd, 2009 at 12:26 pm
Shall I start with why i fell out of love with it? I will also say why i like it. Firstly, I fell out of love with it because most of its production was done in Holland and South East Asia and now, due to your article, I have learnt that the Turks were in on the act as well. It is the case with African fashion that the thing we love most does not have a direct link to an African industry and so deprive the African economy. I did wage a one man boycott about ten years ago when I was a hotheaded student. Another reason for the personal boycott was the fact that African fashion does not own its own narrative. As the perceptive subscriber mentioned that: there was and still is a kind of snob towards anything that is deemed ‘local’and not fit for purpose with regards to high profile appearances , for example red carpet events which have come to be the yardstick by which fashion products(Celebrity endorsement) are measured. We obviously have a lot to learn if we want to create an entity called African Fasion. Don’t get me wrong, Fasion does exist in Africa and the ‘local’ events are not to be sniffed at for their power to lead fashion ideas. For example the Aso Ebi event I think is unique to West Africa, I may be wrong on that last point and will welcome any corrections to the contrary. The Aso Ebi event is the fashion shows that dessemnate new ideas and new ways to look at fashion and sartorial presentation. For those of you who are familiar with the magic that happens when they are involved with an Aso Ebi event, will testify to the fact that it is a fashion event. Wether you agree with me or not the fact still remains that at every wedding, outdooring and other events that warrants the wearing of Aso Ebi, something new and exciting happens. The reason for the long point is to segue into the reason for liking it again.
I have changed my line since, with regards to my politicized boycott for the reasons I stated above. I must add; due to the irrepressible nature of the style of print and for my closer look at where I think the idea of African fashion is falling down; that we have still not grasped that the only thing that will improve African Fashion is what is sniffily regarded to as ‘local’. All the things that we admire on the glaobal stage in my mind, are local to their place of origin. So we have to learn to brand the local if we want them to be appreciated globally. I will go back to the point of narrative. FAshion is big buisness in the industrialized countries. France has an industry worth millions and millions pounds. Ditto England and all the other countries renowned for their fashion innovators and products. A lot of Africans swear by Italain shoes for example, and designer branding over the last two decades have moved marketing into the stratosphere in terms of the returns. Can anyone say with any conviction that there is one signature fashion product in the universal fashion imagination?
There are many outlets available to fashion innovators and producers to market their goods through the skillful creation of a narrative through magazines, well documented fashion events as cultural event etceteras that enables the consumer to feel sympathy for the product. The European and American fashion machinery is without a doubt more sophisticated by a mile compared to an African one. Don’t get me wrong Fashion does exist in Africa. It is vibrant, innovative energetic and bold. But to my mind it falls down when it comes to the marketing of it due to lack of an industry to support production, abscence of standardisation, quality control, marketing and branding. I ask the question again: Why is the production of the fabric that feeds the African fashion mind in the hands of non-Africans?
I have changed my line since my student days because of the irresistible quality of the material. There are still some producers of the cloth on a very small scale in Ghana. In England where i live i buy my printed cloth from a lady who gets her stuff from Ghana. That was my compromise. But the non-African produced ones are’nt half funky.
I am just testing my theories on you my good people. I am in the early stages of writing an essay tackling the very subject. So if the ideas are all over the place forgive me LOL. Cheers
March 24th, 2009 at 5:26 am
WOW! I never knew the Ankara fabric had become so fabulous. I’ll be sure to pick up one!
March 27th, 2009 at 9:33 pm
@Victor Lewis’
‘Why is the production of the fabric that feeds the African fashion mind in the hands of non-Africans?’
I ask myself this everyday.
April 25th, 2009 at 4:17 am
good article. You should be at the lagos ankara/wax prints fair coming up soon.
August 31st, 2009 at 10:03 am
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